"I make art because it is my life, my feelings and my soul..."

- Cesc Abad

Cesc Abad was born in 1973 in Barcelona, an only child of a family devoted to its family business. At 15 I was expelled from school and that was the moment when I felt attracted to visual arts and specially painting. Under the condition of working in the family business, my father paid for my first studio. In those first years I experimented and exhibited my work in different exhibition centres and art galleries.

It was all going well until my father suddenly died when I was 21. Without even thinking, I found myself leading our family business, which would deeply mark my way of understanding art, the world and myself. I worked as the manager of the company, always leading it with my highly creative character. So, while managing the company, I set up more than ten successful companies in different fields (electronics, industrial cold, sports and fashion). In that period I understood that my passion for painting made me look weak in front of my business colleagues and I decided to hide it. Having enough time and money I decided to set up a big studio next to my company in the strictest secret.

In my firm, and just next to my office, there was a door which led directly to my workshop, where I constantly experimented with materials and different techniques (painting, photography, video, ceramics, etc...) without the need of hardly ever showing my work.

That room was called “the wall” by my staff. Nobody knew what was behind it, not even my closest co-workers. I just shared it with my closest family. However, this way of working, without the need to sell my work, without any limit on resources, hidden to the public and with a very high business activity, became very hard on my personal wellbeing.

After leading a double life for twenty years, in 2016 I decided to sell my companies and devote myself exclusively to the artistic creation. I moved to a more modest studio and started preparing my work to be shown to the world. I decided it would not be a secret anymore.

CESC, YOUR WORK BEAUTIFULLY BLENDS FIGURATIVE PAINTING, CERAMICS, AND INSTALLATION WITH STRONG THEMES OF NATURE, MYTH, AND DYSTOPIA. HOW DO YOU APPROACH CHOOSING THE MEDIUM (FOR EXAMPLE: PAINTING VS. SCULPTURE VS CERAMICS) FOR A PARTICULAR IDEA, AND IN WHAT WAYS DOES THAT CHOICE SHAPE THE NARRATIVE OR EMOTIONAL IMPACT OF THE OVERALL OUTCOME?

I typically move between mediums, but I always try to keep the subject matter consistent across all of them, so that the narrative remains grounded in nature and human emotions.

WHAT MOTIVATED YOU TO TAKE PART IN THE 4BYSIX INITIATIVE? HOW DOES BEING INVOLVED IN THIS PROJECT EXPRESS OR EXPLORE ARTISTIC DEVELOPMENT THROUGH IT?

I’d like to take part in this project because I really believe in new initiatives and it lets me develop my artwork.

DID YOU FIND THE TRANSITION TO THE UNCONVENTIONAL TARP CANVAS SIMILAR TO WHEN YOU GO FROM PAINTING TO CERAMICS OR DID YOU HAVE TO ENTER A DIFFERENT MINDSET?

In a way, yes, although it has been a very enriching experience.

CESC ABAD

Title: "THE SECRET" 2025

Medium: Mixed media on tarpaulin

Dimensions: 90 x 90cm

Framing: We suggest to frame floating in a box frame without glass. Frame not included

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WHY DO YOU MAKE ART AND HOW DOES THE ENVIRONMENT AND OUR RELATIONSHIP WITH NATURE INFLUENCE THAT DRIVE? HAS YOUR MOTIVATION TO CREATE EVOLVED AS ECOLOGICAL AND SOCIAL THEMES HAVE BECOME MORE URGENT?

I make art because it is my life, my feelings and my soul, and nature has influenced my work because I have had a special relationship with it. I usually spend the weekends and some long terms in the mountains, that’s why I really need it to develop my work. I believe climate change is an urgent social topic and I try to be a speaker to get conscience into the public.

CAN YOU TELL US ABOUT ANY PROJECTS YOU ARE WORKING ON NOW? WHAT IS NEXT FOR YOU?

I’m working into a new exhibition in Barcelona and for International Art fairs.