Yann Leto (b. 1979) is essentially a painter who is free of orthodoxy, so that his messages continually transpire between the installations, creating a language in which hybridization is the key. The use of irony does not trivialize sociopolitical criticism. His dense painting produces images that are conceived as a collage in which the typographical elements coexist with an intense revision of the great classical paintings, where the void of no-paint planes dissipates from the image. This collage arises from a body of research that compels him to accumulate hard drives saturated with digital files, Google images, press clippings and articles. Regarding this archive –almost sickening– a ‘no rules’ approach of the protagonists is developed, a visual emotional cycle that repositions the human being in a society marked by its restlessness.

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