Aleah Chapin is an American painter who pairs a perceptive command of rendering the body with an equally fluent language of environment and atmosphere. Early work fixed on the women of her upbringing in the Pacific Northwest, and has since pushed into new territory, retaining the grounding of realism within an ambience of the intangible.

Chapin has exhibited at Flowers Gallery in London, Hong Kong and New York, the Belvedere Museum in Vienna and the National Portrait Gallery in London. She lives and works in Los Angeles.

Working primarily in oil paint and drawing, Kindberg explores both high and lowbrow culture. She plays on the notion of the tragicomic in a society that is both civilised and ridiculous. This humorous approach acts as a portal, enabling us to explore our more unsavoury emotions.

She studied at Goldsmiths, University of London (BA 2007, MFA 2012). Recent exhibitions include Clear History at Perrotin, Paris (2025), Tone Poem at The Hole, Los Angeles (2024) and Tainted Love at Kristin Hjellegjerde Gallery, London (2026), ahead of a solo exhibition there in 2027.

Gabriela Giroletti holds a BA in Fine Art from Middlesex University and an MA in Painting from the Slade School of Fine Art in London, where she was an honorary research fellow in the Painting Department from 2019 to 2020. Her work explores the language of painting and its endless possibilities as a metaphor for life and lived experience.

Her work is held in collections including The Newark Museum of Art, USA; the Rio Grande do Sul Museum of Art (MARGS), Brazil; Sorocaba Contemporary Art Museum, Brazil; and the Jasteka Foundation, USA.

Atreyu Moniaga has always been mesmerised by symbols and the deep stories they tell. Since he was young, this passion has fuelled his art, turning each creation into a heartfelt expression of his thoughts and feelings. His work, rich with captivating detail and a touch of magic, mirrors his own journey of finding and accepting himself.

Noemi Durighello works primarily with painting and installation. The forms and objects she depicts appear as artifacts and hybrid figures that have lost their original function and are searching for a new identity.

She studied at the Fine Art Academy in Venice and the Hochschule für Bildende Künste Dresden, completing the Meisterschülerin programme under Prof. Anne Neukamp in 2025. Recent solo shows include Schleudergang, Dots Leipzig (2025). Her work is in the Kunstfonds of the Staatliche Kunstsammlungen Dresden.

Arthur Lemonier's practice is an intense and sensitive exploration of the body as a site of tension, metamorphosis and social projection. Through an expressive, deliberately ambiguous approach to painting, confusion becomes a generative force: not something to resolve, but a space where opposites collide. Ecstasy and pain, attraction and repulsion, visibility and erasure.

His paintings challenge the norms that still dictate what a body should be: its form, its gender, its function, its legibility. Here the body is neither corrected nor explained. It is lived, felt and passed through. His references span tragic narratives and emancipatory figures, and the work carries traces of memory, grief and homage alongside an almost celebratory energy.